“It started onPrisonerswe just see things the same way.
“We did seem to really be in sync.”
That was my main reference, and I embraced it.
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This film is a love letter to Blade Runner.”
“I remember seeing theSydney Opera Housebathed in this red dust,” he says.
It was Villeneuve who suggested the gigantic erotic statue.
Alcon Entertainment/Warner Bros
“To my great happiness, Roger and the producers loved it,” he says.
“The sunlight would peek through the smog and dust and have a wintery kind of silvery light.
It was an important way to bring this universe close to me.
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As a Canadian I cannot brag about a lot of things.
“That I can do.”
“When I saw the sketch I thought, ‘Oh, fantastic.
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I’m going in the right direction,'” Villeneuve says.
“There’s just something sort of odd and a throwback to the past.”
Adds Villeneuve: “The word dream is so important.
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It’s a movie about dreams and broken dreams.
It’s important to have that kind of presence in the film.”
Its all very weirdly surreal, says Deakins.
Alcon Entertainment
Leto stayed in eye-obscuring contacts throughout production so couldnt appreciate his surroundings.
He never saw it, says Deakins.
Deakins says they looked at images online and found solar farms outside of Los Angeles and in Spain.
Alcon Entertainment/Warner Bros
“He didn’t shoot a single plate in sunlight, bless him,” says Deakins.
